"We have met the enemy and he is us"
Mass is in service in the congregation of creative people. A church that gives certain sects of christianity a run for their money in number of tears shed and minds lost. There is no priest. There are no pews. Not even a confession booth or delicious little wafers. Only desperate newcomers and somewhat less desperate veterans searching for that sweet moment when inspiration hits. Their bodies convulse and they fall to the ground with hands stretched out, scraping along a canvas or notebook. They may speak in tongues but that's usually a result of a bit too much sacramental wine (A popular ritual). This moment is so fleeting. It's cruelty incarnate.
But have you heard the good news? Two men, in the early 1990s wrote a book. It has been my bible as of September 2010, passed on to our Florence community by another David Bayles and Ted Orland witness. The name of the book is "Art & Fear: Observations on the Perils (and Rewards) of Artmaking" and it is good.
If your art is an obsession and a lover like it is to most of us, then it would be safe to say that your process doesn't follow reason. Your art is an abusive spouse but it's way too good in bed for you to leave it. Fortunately though, Human rights do not yet apply to your art (however sentient it may seem sometimes) and it is generally accepted to gag and bind it until it meets only your needs. This book is a supportive friend with a knack for tying knots.
An excerpt from the introduction:
"THIS BOOK IS ABOUT MAKING ART. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people--essentially (statistically speaking) there aren't any people like that. But while geniuses may get made once-a-century or so, good art gets made all the time."
-Art & Fear by David Bayles and Ted Orland
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